Billiards at the Hotel Dobray
Shortlisted for the Kresnik Award for best novel of the year 2008
In the narrow corridors and dark rooms of the once-elegant Hotel Dobray in the sleepy town of Sóbota, in a forgotten land wedged between Hungary and Yugoslavia, human destinies collide like the billiard balls in the hotel’s casino. It is late March 1945 and the long war is nearing its end. The Soviet Union’s Red Army will soon arrive to liberate the town, although no one knows what to expect. József Sárdy, the ruthless leader of a small Hungarian occupation unit stationed at the Hotel Dobray, is preparing for his final battle, even as his debauched soldiers succumb to melancholy and despair. Local industrialist Josip Benko hopes the end of the war will mean large profits for his factory, yet he is doing all he can to save his dying world. And Linna, a former singer who works as a prostitute in the hotel, must confront her divided loyalties. But before her song falls silent, the Jewish merchant Franz Schwartz, one of the few to survive the horrors of Auschwitz, returns to Sóbota on foot, pursuing the strains of a remembered violin.
A poetic and pensive narrative, Dušan Šarotar’s Billiards at the Hotel Dobray was the first novel to treat the fate of the Jews in Slovenia during the Holocaust. At the same time, it is an homage to the author’s hometown and the souls that still resonate in his memories.
"a novel in which tiny acts bear enormous significance, acts of heroism, cowardice, cruelty and honesty..."
Charlie Connelly, The New European
Praise for Šarotar’s Panorama:
CITATION FROM THE JUDGES OF THE OXFROD-WEIDENFELD PRIZE FOR TRANSLATION:
"Panorama is an extraordinary, uncategorizable book, that is moving in its human dramas and ambitious in its cultural scope. It is also a topical novel of belonging and non-belonging, and of the different kinds of exile – national, linguistic, cultural – that lies at the heart of one strand of the European experience. 'A narrative about the course of events' is its subtitle, and it is indeed a rangy, poetic, journalistic, fictional melancholy book of travel in time, place and mind."
Patrick McGuiness - Author and Professor of Comparative Literature at the University of Oxford
". . . the hydraulic ebb and flow of Panorama’s sentence waves subsumes the role of narration. . . Giving oneself to these meditative rhythms represents the true depth and joy of this novel—and it is a spiritual joy."
Andrew Singer, World Literature Today
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