Deftly blending fiction, history and journalism, Dušan Šarotar takes the reader on a deeply reflective yet kaleidoscopic journey from northern to southern Europe. In a manner reminiscent of W.G. Sebald, he supplements his engrossing narrative with photographs, which help to blur the lines between fiction and journalism. The writer’s experience of landscape is bound up in a personal yet elusive search for self-discovery, as he and a diverse group of international fellow travellers relate in their distinctive and memorable voices their unique stories and common quest for somewhere they might call home.
Panorama is a title in the World Series by Peter Owen Publishers in association with Istros Books, bringing some of the best contemporary writing from Slovenia to English-speaking readers. The other titles in the Slovenian Autumn season are Three Loves, One Death by Evald Flisar and None Like Her by Jela Krečič.
This is not a novel in which anything happens; it has all happened already, catastrophically, and the condition of exile is the only place from which one can achieve peace or perspective. This is what I think this marvellous book is telling us.
Nick Lezard, Guardian
... a meditation on loss and change ... and on time, migration, language, ocean, love and war. It is densely compacted: its two hundred or so pages seem to expand much as a paper flower from childhood did when put in water. . .
Stephen Watts, poet and editor, from the Afterword
Some literature defies simple description. Case in point, Panorama, by Slovenian poet and writer Dušan Šarotar. One might be inclined to define it as a meditation within a travelogue within a novel. Or perhaps you would prefer to rearrange those terms, it probably wouldn’t matter, because in spite of its subtitle: A Narrative about the Course of Events, Panorama stands at a curious angle to space and time. It is a novel of remembering, of telling and retelling, narratives within narratives, bound together by a coarse thread of repeating themes that are at once timeless and timely.
—Joseph Schreiber, Numéro Cinq
'...dense but rewarding sereis of WGSebald-like meditations on ideas of belonging...'
David Mills, Sunday Times
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